Showing posts with label revolution. Show all posts
Showing posts with label revolution. Show all posts

Five Sisters: Women Against the Tsar Review

Five Sisters: Women Against the Tsar
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The most amazing thing about this book is its entertainment value actually equals its historic value. These are bios of women who put their values and the lives of Russian peasants ahead of their own. It features the primary account of the world famous assassination of Governor Trepov from the pen of his assassin, Vera Zasulich. It also features Vera Figner's account of her unsuccessful (and finally successful) attempts to assassinate Tsar Alexander II. The sacrifices of these women include shedding aristocratic lifestyles for back breaking labor in noblemen's fields so they could teach peasants how to read and spread propaganda for their cause. Some of their comrades actually went insane in the process. You will read about their experiences as exiles in Siberia, and one of the greatest escapes Hollywood never saw. Whether you consider yourself a history buff, or just appreciate great stories, you will love this book.

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An account of the Russian revolutionary movement of the 1870s, from the translated memoirs of five young women who participated: "Vera Figner", whose account of her evolution from liberal to radical is timeless; "Vera Zasulich", who tried to assassinate the governor of St Petersburg, setting off the terrorist phase of the movement; "Olga Liubatovich", who provides an account of daily life in the movement and its personal consequences; "Praskovia Ivanovskaia", who escaped from a Siberian prison to work with the Socialist Revolutionary Party; and "Elizaveta Kovalskaia", one of the few revolutionaries of peasant background, a pioneering organizer in the South of Russia.

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Red Victory: A History Of The Russian Civil War, 1918-1921 Review

Red Victory: A History Of The Russian Civil War, 1918-1921
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It is rare to find a book on any civil war that is both factual and objective. _Red Victory_ is one of the rare exceptions. It is remarkably unbiased, and tells the stories of both the "Reds" and the "Whites" without taking sides. It also succeeds in presenting the facts of the fast-moving and unconventional Russian Civil War in a format that is easy to read. It covers not only the civil war but the early years of Communist government, as well. Those who want to dig deeper into the various aspects of the conflict will find the abundant footnotes and bibliography to be of great value.
The author's greatest achievement is his excellent analysis of why the Reds ultimately prevailed. Unlike those revisionist authors who claim that the Bolsheviks' military triumph was inevitable, W. Bruce Lincoln shows how the Reds were able to make the most of their opportunities and consolidate their gains while the Whites squandered many of their considerable advantages. Neither enjoyed widespread popular support. Both sides were also guilty of atrocities, as the conditions of post-World War 1 Russia left little room between repression or anarchy. The difference is that the Communists combined repression with reform, and were able to win the reluctant support (or at least toleration) of much of the populace. The Whites, by contrast, even when initially welcomed as liberators, alienated many with their reactionary policies (which included restoring the estates of the hated landowners). Given a choice between "Red Terror" and the Old Order, most Russians opted to take their chances with the former.
My only disappointment was the lack of detailed information on the military campaigns of the war. However, this book is much better than _Russia Under the Bolshevik Regime_, by Richard Pipes, which is the only other single-volume work widely available on the topic.

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The Wind from the East: French Intellectuals, the Cultural Revolution, and the Legacy of the 1960s Review

The Wind from the East: French Intellectuals, the Cultural Revolution, and the Legacy of the 1960s
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A very favorable review from Julian Jackson in the Guardian:
In a notorious speech during the 2007 presidential election campaign, Nicolas Sarkozy lambasted the "legacy of 1968" in France for having ushered in "intellectual and moral relativism". This opportunistic gesture towards the conservative electorate was rather surprising since no politician with Sarkozy's tumultuous private life would have had any chance of being elected president without the liberalisation of moral attitudes that occurred in France after May '68. To confuse matters further, once he had been elected, Sarkozy chose as foreign minister Bernard Kouchner, founder of Médecins sans Frontières, who had been an activist in 1968 and sees himself as faithful to the values of that year.
What this shows is that the legacy of '68 remains hotly debated in France, and this readable book by the American academic Richard Wolin is an important contribution to that debate. If people tend to remember May '68 nowadays in terms of sexual liberalisation, at the time protesters spoke the language of Marxism, and Wolin focuses on one particularly radical Marxist group - the French Maoists - whose heyday was the period 1967-73. This might seem a somewhat narrow subject until we remember that the supporters of the Maoists included such luminaries as Michel Foucault and Jean-Paul Sartre (who had nothing else in common).
This was a time when the language of politics was extraordinarily violent. André Glucksmann, now one of the anti-totalitarian "new philosophers" of whom the most famous is Bernard-Henri Lévy, believed in his Maoist phase that France was a fascist country; Sartre called for popular tribunals to counteract bourgeois justice. Not to be outdone, Foucault advocated a "people's justice" without courts on the lines of the September massacres of 1792.
Curiously the Maoists had missed out on 1968 itself. Blinded by dogmatism, they assumed that an event led by students could not be serious. It must be a plot hatched by de Gaulle and the French state as a pretext to crush the proletariat. This complete contradiction between the reality on the streets and what theory said must be happening caused one Maoist leader, Robert Linhart, to have a nervous breakdown. After May 1968, they tried to make up for lost time, and achieved notoriety when de Gaulle's successor, Georges Pompidou (ignoring de Gaulle's wise maxim regarding Sartre: "you do not arrest Voltaire"), arrested two of their leaders and outlawed their newspaper. Suddenly they become a cause célèbre. The Rolling Stones even interrupted a Paris concert in 1970 to allow a French Maoist to address the audience.
Sartre's flirtation with the Maoists is especially interesting. In the 60s, Sartre's philosophy of political engagement had been eclipsed by the fashion for structuralism, which abolished agency and the "subject". Structuralism was potentially fatalistic about the prospects for political change: "structures do not take to the streets", observed the philosopher Lucien Goldmann. Then in 1968 "events" suddenly asserted themselves after all. Sartre was the only member of the intellectual old guard to be invited to address the students in the occupied Sorbonne. What attracted Sartre to the Maoists - and vice versa - was their energy, anger, voluntarism and moral outrage.
For others Maoism was merely a question of opportunism. Wolin has a chapter on the Maoist flirtation of the literary journal Tel Quel, whose editor, Philippe Sollers, has jumped on every political bandwagon (though always a little late). In the 1960s he supported art for art's sake in the form of the hermetic new novel, then moved to Stalinism, then Maoism, until finally in 1978 he called for a vote for the centrist Giscard d'Estaing. The Tel Quel group visited China in 1974 and were enthused by what they saw. When a repentant French Maoist later said to his former Chinese guide that he had been shown only the positive side of communism, the response was: "we showed you what you wanted to see." Julia Kristeva, one of that group, was so taken by China that she praised the barbaric practice of binding women's feet as an example of the power of Chinese women. My only complaint about Wolin's book is that he spends too much time on Kristeva, who perfectly exemplifies the capacity of intelligent people to write nonsense in impenetrable prose.
There are no Maoists left now except for the unrepentant - but now bizarrely fashionable - philosopher Alain Badiou, who is still willing to defend the Khmer Rouge with Mao's chilling comment "the revolution is not a dinner party". But Wolin's book is not just about a strange few years of political folly. He argues that by a process of unintended consequences Maoism allowed a generation of French political activists to rediscover the language of human rights. This is not a totally original argument, but Wolin expounds it effectively. The Maoists might live with "China in our heads", as the saying went, but their political activism also caused them to explore what French society was really like.
Following Mao's dictum that "one must get down from the horse in order to pluck the flower", many idealistic young Maoist radicals went to work in factories. In the same spirit Foucault helped to found the Prison Information Group (GIP) to investigate and denounce the conditions in French prisons. This experience led him to substitute Sartre's idea of the all-knowing "universal" intellectual with that of the "specific" intellectual who comments only on concrete cases that he knows about. In another curious twist of history, it was through a Maoist-influenced group called Vive la Révolution that homosexual liberation first entered French radical politics in 1971.
For Wolin, then, if France is today less authoritarian than it once was, with a more active associative life where many people are engaged in causes such as the defence of sans-papiers - illegal immigrants - that is one of the legacies of the strange Maoist moment. If that's true, no wonder Sarkozy dislikes May '68 so much.


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Michel Foucault, Jean-Paul Sartre, Julia Kristeva, Phillipe Sollers, and Jean-Luc Godard. During the 1960s, a who's who of French thinkers, writers, and artists, spurred by China's Cultural Revolution, were seized with a fascination for Maoism. Combining a merciless expos of left-wing political folly and cross-cultural misunderstanding with a spirited defense of the 1960s, The Wind from the East tells the colorful story of this legendary period in France. Richard Wolin shows how French students and intellectuals, inspired by their perceptions of the Cultural Revolution, and motivated by utopian hopes, incited grassroots social movements and reinvigorated French civic and cultural life.

Wolin's riveting narrative reveals that Maoism's allure among France's best and brightest actually had little to do with a real understanding of Chinese politics. Instead, it paradoxically served as a vehicle for an emancipatory transformation of French society. French student leftists took up the trope of "cultural revolution," applying it to their criticisms of everyday life. Wolin examines how Maoism captured the imaginations of France's leading cultural figures, influencing Sartre's "perfect Maoist moment"; Foucault's conception of power; Sollers's chic, leftist intellectual journal Tel Quel; as well as Kristeva's book on Chinese women--which included a vigorous defense of foot-binding.

Recounting the cultural and political odyssey of French students and intellectuals in the 1960s, The Wind from the East illustrates how the Maoist phenomenon unexpectedly sparked a democratic political sea change in France.


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Citizens: A Chronicle of the French Revolution Review

Citizens: A Chronicle of the French Revolution
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This monumental book attempts to chronicle the French Revolution from its inception to the end of the Reign of Terror in 1794, using a slightly different style than most conventional histories. In the preface, Schama notes that studies of personalities have largely been replaced by studies of grain supplies, indicating a pattern to seek explanations for historical events and trends in obscure economic factors, rather than in the personalities of the leading figures involved. This Schama is determined to fight against, and he resurrects the nineteenth-century chronicle, with its emphasis on people, high and low. The first section is largely concerned with the Old Régime, which the author reveals a dynamic and rapidly changing society, where the pace of change was indeed too fast instead of too slow, as the popular perception goes. He meticulously shows the rise of revolutionary and nationalist culture, as well as of a new economic order, and the incapacity of Louis XVI and his governments to deal with the new realities. The accounts of the demise of the Old Regime and the beginnings of Revolution are extremely detailed, but also move at a fast pace, with numerous stories of the participants interspersed in the narrative. Schama's use of primary sources is exhaustive, and sometimes even tends to be overwhelming, but the overall effect is an impressive display of historical writing at its finest. But it is in relating the power struggles within the National Assembly and the Convention that Schama truly shines. We hear the strident rhetoric of the Brissotins and later the Jacobins, calling for the bloody consummation of the Revolution. We are at the side of the major players as they are elbowed aside, which often means assassination or execution. We are taken to the provinces, where the Vendéan revolt and the subsequent massacres of thousands by the revolutionary authorities provide horrifying preludes of twentieth century violence and genocide. Indeed the most striking aspect of the book is just how much the forces of totalitarianism in our time owe to their Jacobin predecessors. The speeches of Saint-Just and Marat could have just as easily been uttered by Lenin. The vast outdoor pageants and revolutionary festivals conceived by Jacques-Louis David could measure up considerably well to Albert Speer's monstrous but impeccably designed rallies for Hitler. Schama pulls off an astounding effect, for as the reader progresses in the story, the revolutionary fervor almost creeps out of the page, and one feels the all-encompassing madness. The ending of the book is bleak, showing a disturbing lithograph of Robespierre decapitating the last executioner amidst a forest of guillotines and in the shadow of a giant chimney of cremation bearing the inscription "Here lies all of France." The Terroristes' own pathetic endings provide no closure, merely a bitter aftertaste of disgust.
Schama's contentions are well-reasoned and he succeeds magnificently in exposing both the workings and the soul of the Revolution. His view is a bit too complex to encapsulate in a few words, but it largely centers on the idea that violence was not just another "aspect" of the Revolution, but was always a crucial part of it. The two were effectively inseparable. The roots of this violence were to be found in the patriotic culture and in the enormous influence exercised by Romanticism and especially by the writings of Rousseau, wherefrom came the notions of patriotic sacrifice and patriotic death. Schama claims, with considerable credibility, that the Revolution did not achieve any of the significant reformist objectives of 1789 (indeed, the Jacobins were almost immediately forced to impose economic paternalism), and worse, it inaugurated an era when violence determined the direction of the state more than anything else. What the Revolution did create was "a military-technocratic state of immense power and emotional solidarity," but "its other principal invention had been a political culture that perennially and directly challenged it." The meaning of the entire book, and indeed of the Revolution itself, is summarized next: "Suddenly, subjects were told they had become Citizens...Before the promise of 1789 could be realized, it was necessary to root out Uncitizens." Citizens is a remarkable book, a life-changing read that will reveal mankind at its darkest but also at its most complicated, and that will fiercely bring to life one of the most momentous events in history.

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The Days of the French Revolution Review

The Days of the French Revolution
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Christopher Hibbert's fine narrative about the French Revolution is an excellent way for the general reader to learn the essentials of the keystone event of modern European history. But for the French Revolution there would have been no Napoleon. But for the French Revolution there probably would never have been a Russian Revolution. But those are not the themes which play in the background of Mr. Hibbert's most-readable history. He lays out the panorama of the Days of the French Revolution in such such a way that one who wishes to know more about that great event can read about it -- cover-to-cover and then put this book down with satisfaction. At last the general reader will fully understand what is meant by "Thermidor", will sympathize with the unfortunate Louis XVI and come away with a new appreciation of his beautiful and misunderstood wife, Marie Antoinette.
The complicated personality of the tragic Robespierre enters the drama at the time appointed by history and Mr. Hibbert gives this austere, no-nonsense rascal his proper place at center stage. There is enough of a biography of him to round him out so that the reader can reach some conclusions as to how the Days of Terror came about under Robespierre's auspices.
The days of the French Revolution teemed with a multitude of monumental historical events crammed into a mere few years. Royalty was executed, wars were fought, governments fell, freedoms simmered, flourished and faded; all was turmoil. It is a wonder in this avalanche of world-shaking events how any writer could manage to sort them out and play them before the reader's eyes so engrossingly. But Mr. Hibbert does it and he does it well in this book that I can highly recommend.

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